【Chapter 3】Something We Can't Change | Prada Fondazione
Content Editor: Alice On
“We embrace the idea that culture is deeply useful and necessary as well as attractive and engaging. Culture should help us with our everyday lives, and understand how we, and the world, are changing. This assumption will be key for the Fondazione’s future activities”
ATLAS
Permanent
In Torre’s towering six-level exhibition space, “Atlas” is unveiled, conceived from a dialogue between Miuccia Prada and Germano Celant.
It hosts works from the Prada Collection displayed in “a sequence of environments incorporating solos and confrontations” created through contrast or resonance between artists such as Mona Hatoum and Edward Kienholz and Nancy Reddin Kienholz, Carla Accardi and Jeff Koons, William N. Copley and Damien Hirst.
From 20 April 2018 Torre, the building marking the completion of Fondazione Prada’s Milan
venue – first unveiled in May 2015 and designed by Rem Koolhaas with Chris van Duijn and
Federico Pompignoli from architecture firm OMA – is open to the public.
Inside the six exhibition levels of Torre, project “Atlas”, emerged from a dialogue between
Miuccia Prada and Germano Celant, is unveiled. It hosts works from the Prada Collection
displayed in a sequence of environments incorporating solos and confrontations, created
through assonances or contrasts, between artists such as Carla Accardi and Jeff Koons,
Walter De Maria, Mona Hatoum and Edward Kienholz and Nancy Reddin Kienholz, Michael
Heizer and Pino Pascali, William N. Copley and Damien Hirst, John Baldessari and Carsten
Höller.
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Dal 20 aprile 2018 è aperta al pubblico la Torre, l'edificio che completa la sede di Milano della Fondazione Prada, progettata da Rem Koolhaas con Chris van Duijn e Federico Pompignoli dello studio OMA.
All’interno dei sei livelli espositivi della Torre è presentato il progetto “Atlas” nato da un
dialogo tra Miuccia Prada e Germano Celant. Riunisce opere della Collezione Prada in una
successione di spazi che accolgono assoli o confronti, creati per assonanza o contrasto, tra
artisti come Carla Accardi e Jeff Koons, Walter De Maria, Mona Hatoum ed Edward Kienholz
and Nancy Reddin Kienholz, Michael Heizer e Pino Pascali, William N. Copley e Damien Hirst,
John Baldessari e Carsten Höller.
SANGUINE. LUC TUYMANS ON BAROQUE
18 Oct 2018 – 25 Feb 2019
Photo by Danielle@DaisyCode
“Sanguine” curated by Luc Tuymans presented 80 works by 63 international artists all under the theme of a “personal interpretation of the Baroque based on innovative juxtapositions and unexpected associations”. A part of the obvious contrast was the work by contemporary artists and Old Masters.
Breaking from any chronological or thematic order, Tuymans invites viewers to reconsider 17th century art, as well as the contemporary research, by placing the role of artists at the center of the presented narrative.
Fondazione Prada presents the exhibition “Sanguine. Luc Tuymans on Baroque”, curated by Luc Tuymans, in its Milan venue from 18 October 2018 to 25 February 2019. Organized with M KHA (Museum of Contemporary Art of Antwerp) and KMSKA (Museum of Fine Arts of Antwerp) and the City of Antwerp, the project will be featured in Milan in a new and more extensive version, following its first presentation in the Belgian city from June to September 2018. Luc Tuymans conceived an intense visual experience presenting more than 80 works by 63 international artists, including 25 exhibited exclusively at Fondazione Prada.
DaisyCode Favs
Knife in
the wheel chair
Sometimes you get hurt when you’re helping someone
It was the artist’s memo of World War II
Helpless in life
You remember the feeling of breaking when you see your home and family are gone forever
Prada Fondazione
LARGO ISARCO, 220139 MILAN
BAR LUCE
TORRE
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“世界之大，人類的渺小，有些事情我們無法改變，只能接受，一種對生命的無力感。”
每個人對於每個藝術品都有不同的感受和想法，也就是說以多種視角來解釋作品，而這個不同的感受和多種視角引發對個人的思考，才是最主要展覽想要傳達的東西。