Drama film directed and co-written by Peter Farrelly. Based on a true story set in America in 1962, the story follows Tony Lip (Viggo Mortensen), a working-class Italian-American bouncer who takes on a job as a chauffeur for Dr. Don Shirley (Mahershala Ali), a world-class African-American pianist on a concert tour from Manhattan to the Deep South. Confronted with racism, danger, as well as unexpected humanity and humor, the mismatched pair are forced to set aside differences to survive and thrive on the journey of a lifetime.

13 of Edward Hopper's paintings are brought alive by the film, telling the story of a woman, whose thoughts, emotions and contemplations let us observe an era in American history.

Shirley is a woman in America in the 1930s, '40s, '50s, and early '60s. A woman who would like to influence the course of history with her professional and socio-political involvement. A woman who does not accept the reality of the Depression years, WWII, the McCarthy era, race conflicts and civil rights campaigns as given but rather as generated and adjustable. A woman whose work as an actress has familiarised her with the staging of reality, the questioning and shaping of it; an actress who doesn't identify her purpose and future with that of solo success or stardom but who strives to give social potency to theatre as part of a collective. A woman who cannot identify with the traditional role model of a wife yet longs to have a life partner. A woman who does not compromise in moments of professional crisis and is not afraid to take on menial jobs to secure her livelihood. A woman who in a moment of private crisis decides to stick with her partner and puts her own professional interest on the back burner. A woman who is infuriated by political repression yet not driven to despair, and who has nothing but disdain for betrayal. Shirley, an attractive, charismatic, committed, emancipated woman.